Voyage XIX – Non-violence

I spent the next I-don’t-know-how-long in my bunk, breathing the smell of her body out of my pillow. All I could think was how I could have done things differently – going over and over everything that had happened. Sometimes I thought maybe I’d been too pushy. Then other times I thought I should have been more pushy, less hesitant, more manly. What had she said about a woman above all wanting a man who felt good about himself? I certainly wasn’t that. I went over all the conversations we’d had about sex and women, and I remembered how she’d looked at me sometimes (but didn’t she look at other men that way too?), and offered to come to my cabin and strip off for me (but wasn’t that all in the name of art?) and how later I’d gone to try to find out what was wrong and she’d dismissed me (but hadn’t I just been a silly little boy, again?).
And why would someone like her (a goddess, frankly) want someone like me anyhow, so weedy and awkward and pathetic and how could I have been so stupid to have, even for a moment...? The memory is just too pitiful, not least because I'm filled to a hard, purple bursting point with the image of her extraordinary naked body on my bed. My balls ache with the memory of it.
The pictures are there still. I can’t destroy them. I thought of throwing them in the sea, but I can’t. Instead I fix them (my craftsman brain, still there, in spite of everything, thinking practically) and roll them up and put them away.
I sleep as much as possible, and wake up to a second or two of peace before the memory collapses in on me anew and forces me to go over it all again. Not having to eat or drink or go to the loo means I have no distractions. I don’t seem to have been missed either. I suppose everyone knows by now too. I can’t face them.
But I can’t just stay in here forever. I wait until it’s dark and everyone has settled down for the night and I go up on deck to feel the fresh air on my face. Even then I can’t help fantasising that Lucy will be up there, unhappy, and I will go and talk to her. She’ll tell me that in fact, for all her bravado, she was shy and needed more time, that she wasn’t ready, and can I be patient?
Of course I can.
But there is no one up there.

The next morning Joe comes and knocks on the door and asks if I am ok. I say come in and he stands awkwardly in the door. ‘You heard what happened I suppose’ I say, turning away. I feel ashamed of myself now.
‘Everybody did’ he says, smiling. ‘I wouldn’t take it too seriously if I were you.’ But I do, I think. This was it, I think, my one chance. I really can’t imagine ever meeting a woman like her ever again, in any life or after life. She was it.
‘From what I gather you handled it rather well. I thought you’d be cock-a-hoop.’
I’m confused – what has she said? Maybe she’s playing a game with me? I did ok? Is there hope?
‘Harry is, if anything, even surlier than before,’ he continues, ‘and Jason says Liz is in tears most of the time... well, that’s confidential. So...’
Why’s he talking about Harry? Oh. I get it. I’d forgotten about all that. The memory makes me smile a little. It gives me a moment to come up for air. ‘Has Lucy said anything?’
‘Lucy?’ He looks blankly at me for a moment ‘Oh that tall, dark, well-endowed lass. No, why?’
I flinch at the description.
‘Never mind. Doesn’t matter.’ I turn away again.
‘You fancy her?’ he says with a sly grin. ‘Well who wouldn’t? I’m only about twenty percent straight and I can see it. Have you spoken to her?’
‘A bit’ I say, evasively.
‘Anyway, are you coming along later?’
I think about it and realise I really need to. ‘Yes’ I say. ‘I’ll see you later.’

Time is an odd thing here. There are no clocks. Hours and days just wander about casually. Back in life everybody knew – if you were having a shit time it went on interminably – a good day was over before you knew it. Here I suspect it’s a bit the other way, which is nice, but it’s hard to tell, looking back, how long you’ve been doing anything. You can count elephants to sixty, a hundred-and-twenty, three hundred, but sooner or later you get muddled and don’t know where you’ve got to. I’ve even tried keeping track on paper but I still get lost. Time is absolutely relative here. “Sooner or later” is about as close as you’ll get to describing it. And yet, somehow, I always know when it’s early afternoon or after midnight, or time to go see Joe for example.
He doesn’t know about me and Lucy. That probably means no one knows. He’d know if anyone knew surely? Maybe not. The guides keep themselves quite separate from the rest of us. I’m sure she must have told Damian and Matt. They probably think it’s hysterical. What was I thinking? I look at myself in the mirror on the back of the door. I’m just a stupid child. She’s a woman. It occurs to me that she doesn’t look very old – twenty-two maybe? I don’t know how old she is really. This revives my optimistic ‘I’m actually a virgin and need you to be gentle with me’ fantasy, although it’s not very convincing. She doesn’t seem like a virgin. That’s what I liked about her.

I feel hungry. There’s a small serving hatch near the library so I won’t have to go through the bar. I put on a dressing gown and open the door and Harry is there, just on his way past.
‘I wondered when you’d show your face again’ he says coming too close too quickly. He jams his hand across the door, blocking my way. I look beyond. Several other travellers have stopped to see what will happen. They look concerned, not entertained.
In retrospect I guess a part of me was scared – I felt faint afterwards, but mainly I just felt pissed off. I really couldn’t be bothered with this, and I guess it showed in my face. Even so, I couldn’t ignore the simple fact of his sheer physical size. I knew you couldn’t die here, but I didn’t want to get hurt. I didn’t want to shout for help either, so I just stood there. He grinned at me, too close, too heavy, too nasty. ‘And what are you going to do now, eh?’ he said in my face. I could feel his hot breath on my neck, his eyelids on my cheek. It was revolting. I was horribly aware that I had nothing on under the robe, and that it was falling open. I pushed a little with my body, turning my head away, not really expecting any result. He moved more firmly to block me and push me back but in the process began to lose his balance. He moved his arm a little to steady himself, and I stepped through, over his leg as he heaved himself toward me in an effort to pin me against the doorframe with his body. It didn’t work but as I slipped past he took a swing at me with his free hand.
It was very odd. I felt his hand connect but it was as if my jaw had become marble and his fist was a rubber ball. The force threw him across the passageway onto his back. I was standing there unscathed and he was lying there winded. We all stood around for a while wondering what had just happened. Harry was getting up, swearing under his breath, rearranging his tie. He went to hit me again.
‘You can’t do that here’ said a voice behind me. It was Angie again.
‘Who’s going to fucking stop me?’ he said, furious, spluttering his words, his face red, fit to pop.
‘Nobody’s going to stop you. It’s just not physically possible on the boat. No violence.’
‘Who fucking says?’ he cried as if this is the greatest infringement of his civil liberties imaginable.
She shrugged. ‘Just how it is’ she said blandly. ‘Are you ok Gabriel?’
‘Yes’ I said. ‘I’m fine.’ I didn’t want to gloat but we were all looking much jollier. I went back inside and put some clothes on.

Well it was a welcome diversion anyway, and I had a good half hour of chuckling to myself before my thoughts about Lucy came back to bother me. By then it was time to go and see Joe again.
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Voyage XVIII – Life-drawing

I felt so good yesterday. Seems like a very long time ago.
I’ve done it again. I can’t believe it. I can’t believe how fucking stupid I am – every time. Unbelievable.
We’d been up on deck sitting in the sun, Lucy, Damian, Matt and I, and some of the others. I looked over the side and there was a branch floating by with green leaves on it still. I couldn’t believe it, after all this time, I don’t know how long – feels like months, there’s life out there. Huge black shapes, as long as the ship, rise and wallow a little way out. Fergus was with us. He told me they were not whales – they had the fins of fishes with rays and spines, and scales too. He said he’d never seen anything like them. The birds were not familiar to him either. Although they generally resembled the seabirds he’d known back in the world, they were wrong in detail. He couldn’t even work out what family they belonged to for sure. Matt and Damian were very interested in what he had to say. Damian couldn’t resist making comments about how you’d go about catching one and what they’d taste like. Lucy told him to stop being disgusting, but Fergus went on to tell us in great detail about some of the revolting things he’d been given to eat on his travels.
I was sitting directly opposite Lucy. She had her sunglasses on, so I couldn’t tell where she was looking. I tried not to look at her too much but I couldn’t help it. Once, when I realised I’d been staring at her legs for ages I looked up and she had this really knowing sort of smile on her lips - an ‘I know what you’re thinking’ expression. I know I went really red, but then she shifted a little and I could see almost all the way up her skirt. Those soft white thighs... I could have sworn she did it on purpose. Then she crossed her legs again. Everybody was laughing. I don’t know what at. I’m sure it wasn’t anything to do with me, but I hadn’t been paying attention. She looked over the top of her shades at me and asked me if I was alright, grinning dirtily at me all the while.

Later on it started to get chilly and we were going to go down to the bar. I wasn’t keen – not because I was scared of Harry and the others, but I just wanted to relax. Near the hatch, after the others had gone on ahead, Lucy turned to me and said ‘You could do some drawings of me now if you want to.’
I tried to act cool ‘Sure’ I said. ‘Why not?’
‘I’ll just get something to drink’ she said ‘and I’ll be with you. Ok?’
‘I’ll get set up in my cabin’ I said, my voice wobbling a little.
‘Ok. Can I get you anything?’
‘Some bubbly?’ I said. She looked a little surprised but I’d been drinking champagne a lot recently. And it seemed appropriate.

It seemed like ages before she arrived, and the champagne was a bit warm. I’d got a book out to try to look relaxed about it all but I was very tense. ‘You’ve made it nice in here’ she said as she came in the door, bottle in one hand, glasses in the other. I’d lit some candles and arranged cushions and covers on the bed.
‘How do you want me?’ she said smiling a little.
‘I don’t know’ I said. ‘I’ve not done this sort of thing much before. Errm... on the bed?’ and then I thought I should take charge more, so I showed her how I’d like her to pose.
‘Ok’ she said and began to take her boots off. I made vague noises – getting the easel adjusted, and arranging paper, glancing over – she was pulling her top over her head, smiling sideways at me, turning away from me, unclipping her bra – her breasts, I could see, falling free, moving the way only breasts can. She unzipped her skirt and stepped out of it and then slipped her red silky knickers down. Turning toward me, I tried not to stare at the mass of thick, almost glossy black curls between her legs. She slid onto my bed, leant on my pillows, and arranged herself the way I’d asked, waiting to see what I’d do next.
I’d seen naked women before of course – in magazines. I knew what to expect. But I’d never seen a real one, still less been in my room with one. Still, I tried to maintain a pretence of cool. I fiddled with the paper, took some deep breaths and looked, I hoped, appraisingly at her again. I could see everything. I looked at everything, closely. I looked, long and hard. I was vaguely aware of the wicked smile on her face but I couldn’t stop looking. I wanted to strip off and climb onto her and writhe about, and thrash and tear at her and swallow her, sink myself into her.
‘Everything alright?’ she said. ‘Would you like me to move at all?’
I looked at her again. Now I could almost feel a different part of my brain taking over, leaving the other part to have its way with her. Yes I did want her to move a little. It occurred to me that the shape would be better if her hand was close to her thigh rather than actually on it. I went over and picked it up (Oh my god, the skin under her wrist, so silky soft) and laid it on the bed beside her. (I could smell her now, a scent I’d never come across before, but which I knew was simply pure, unadulterated woman. I went to bed with that scent until we disembarked.) I stood back. I looked at her. I looked at the paper until I could see her there, and then took up my charcoals and chalks, and began the process of sculpting her out of the grey, two-dimensional surface.
A tutor once tried to tell me that real art has nothing to do with sex, that working from a nude is no different from drawing a bowl of fruit (although the still life we then attempted was a banana and two apples, so perhaps he wasn’t being completely straight with us). The truest art, we were told, was as disinterested as mathematics. It was simply a matter of exploring shapes and colours. Nudes were simply a different shape to apples, and, he pointed out, they had the advantage of being mostly just the one colour all over, allowing us to concentrate purely on form. Any erotic sentiments, he said, talking specifically to girls giggling at the back, could only compromise technique and lead to second rate work.
He was a pompous prat, and now I knew he was wrong too. I’d never drawn so well, nor so easily in my life. Her form grew out of the paper as I ran my eyes over her, feeling exactly the shape and texture of every part of her, and transferring it precisely. I managed five drawings in different poses before my artist brain finally gave out and the part of my brain that was poised to fall on her and dive in took over. I almost passed out.
I didn’t know what to do next. I said something about taking a rest and sat down beside her. She smiled a little uncomfortably and moved over to give me room. ‘How about a drink?’ I said and went to fill our glasses again. The champagne was very warm now, but still better than nothing. She asked if she could put her socks on because her feet were cold.
When she’d done that and we were sat down together again I told her I thought she was very beautiful, that she had beautiful skin, and I held her hand and caressed the skin under her wrist.
We were at an uncomfortable angle. She was slightly behind me as I sat half on the bed, so when I turned to kiss her it was awkward. I hadn’t done this kind of thing much before – just Naomi really, but she had always been fully clothed, so I wasn’t feeling very confident. Anyway, when I twisted around and moved toward her face with mine she stopped me, firmly with her hand flat on my chest. I opened my eyes.
‘What are you doing?’ she said, angry and apparently surprised. Her reaction simply made no sense so I pushed forward again. I suppose that part of my brain that was in control now had assumed that there must be some sort of hallucination going on and chose to ignore it, but she pushed again, slid out sideways and stood beside the bed.
‘What are you doing?’ she said again, this time with some derision in her voice. I looked at her again. She was still naked (apart from the socks), I could still smell her, I could still have touched her. I couldn’t think of anything whatsoever to do. I let her get dressed and go. She didn’t look at the pictures at all. I went up on deck. It was a nightmare.
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Voyage XI – Jamming

I’ve started to hang out with Lucy and that lot more. It took a while before I got the nerve to ask if I could sit down with them. It was like a school kid wanting to sit with the seniors. When I finally did, Matt and Damian were really cool about it and Lucy didn’t object, even though I can’t stop looking at her boobs and she keeps having to tell me off for it.

We tend to hang out in the forward lounge – there’s a lot of big sofas there, or up on deck, on the deck chairs. The weather is a lot brighter now, but still a bit fresh for sun bathing if you ask me. Damian is really skinny and pale, but he takes his shirt off and lies there with his sunglasses on nevertheless. I did him in charcoal a while back and Lucy thought it was hilarious – black spikes, white forehead, black shades, white nose, black choker, white ribs, black drainpipes, white ankles, black plimsolls. I don’t think it’s possible to get a tan here. You either have one or you don’t. You don’t have to cut your hair or trim your nails either
I talk quite a lot more with Lucy. She seems impressed that I know who George Elliot and Nina Simone were. We discuss all sorts of things – university, feminism, travel, and sex. We talk a lot about sex. My whole sex education has been my Dad’s Mayfairs and there’s quite a lot they don’t cover. She told me about the clitoris and the female orgasm. She even drew diagrams. I think I’m obsessed with sex, which is funny for a person who is still a virgin at nearly nineteen. All I could think was how I wanted to have a practice on her, and it almost seemed like it might be worth asking but I didn’t. I’d heard of oral sex but I’d never realised what we were aiming for, if you see what I mean, or that there was a thing, exactly, to aim for. I guess I thought you just sort of, I don’t know, licked it, generally.
I think I really envy women now because they have all these different sorts of orgasms that can apparently go on for hours and we just have this one quick spurt and that’s it.
‘A man is just totally fixated on his penis’ she said. ‘All he wants is to get in there as quickly as possible and...’ (She makes this rhythmical grunting noise in my ear – ‘Uh uh uh uh...’ over and over until it’s really beginning to bother me. ‘That’s what it’s like’ she says eventually) ‘and then it’s all over and you’re left with the washing up, as usual. Or, which is worse, you get a guy who thinks he knows all about foreplay, but he just thinks it’s about going on and on and on until you’re both rubbed raw and wondering what's on the telly. You men – it’s just like you haven’t got a clue.’

She’s right, I haven’t. I don’t even really know what foreplay is but I don’t like to ask.
One of her favourite topics is pornography (It’s one of mine too, but in a different way and I keep quiet). The way she talks about it though it’s as if it’s nothing but violence, like it’s all under-age girls being forced to have horrible things done to them. I don’t think I’ve ever seen anything like that. Well there was that one thing I found in the lorry park. That was horrible, so I do know it goes on. I suppose it never occurred to me to wonder who all these women are, having their photos taken, or how they feel about it. Most of them just look bored to be honest – just smiling woodenly for the camera and holding their vaginas open. It’s pretty crass. But then sometimes, the ones I like, they look like they’re normal women having a laugh, or maybe even actually enjoying it. I don’t know. I can’t believe they all hate what they do. They must be bloody good actresses. Lucy says you can tell it’s really all about child pornography because they force the women to shave but I always thought that was just because you could see everything better. And anyway pubic hair can be a bit off-putting. I never liked mine. I used to shave it off sometimes and then the stubble got bad so I didn’t do it any more. I know for a fact she can’t stand men with beards anyway so she can’t talk. Maybe she likes young boys, which would be good news for me.

Another time I remember having this heated debate with her about breasts, because she’d noticed me looking – again. Well, hers were quite hard to miss to be honest. I’d find my eyes homing in on them in the middle of a conversation and it was very off-putting. All the blokes commented. She wore these tight, low cut tops too, which didn’t help.
‘My god! What is it with you people?’ she said, amazed, aggrieved and amused at the same time. ‘It’s just a pair of breasts for god’s sake. Men! You’re just like children, just transfixed...’
I looked at my book, embarrassed. We were in the lounge. People were listening. She was talking quite loud.
‘What is it? Tell me, what is so fascinating? They’re just big blobs of fat for feeding babies. Look’ she said and took hold of them and wobbled them about in my face. ‘Fat’ she said again, grinning. She evidently thought it was amusing, making me embarrassed.
I gave my usual considered opinion, that is, I shrugged and said ‘I don’t know.’
‘Look at them’ she said.
‘What?’
‘Look. Get an eye full’ and she pulled her shoulders back and thrust them at me. I still thought they were fantastic.
‘Tell me what you're thinking’ she said, challengingly.
I was struggling to say anything at all. ‘I just...’ and I tailed off, shrugging again. I looked around. Nobody was overtly listening but I knew they could hear.
‘I don’t know why I like them. I just...’ I said finally.
‘Doesn’t it bother you that you’re just automatically adopting this crass stereotypical male behaviour? (She does a thick voice) “Ooh, look, there’s some tits” you say to yourself. “This woman is clearly in need of some ogling.”’
‘I’d never say anything like that.’
She pauses and looks away. She’s taking time to think.
‘Ok. You see a woman in the street and you don’t know anything about her, except she’s got these huge breasts. So obviously you’re interested, but you don’t think “Maybe she’s got a Phd in psychology – I’d love to go and talk to her.” do you?’
‘Well I can’t tell if she’s got a Phd in psychology just by looking at her can I? And any way, I wouldn’t fancy her just because she has big boobs.’
‘No?’ she looks sceptical ‘What else?’
‘Eyes?’ I say, without much conviction.
‘Oh give me strength. You want me to believe that? I’ve never met a man who’s attention extended anywhere above the neck for longer than it takes to – I don’t know – light a cigarette.’
I’m silenced again. But I do like women's eyes. Always have. I loved Camille's eyes. They were a gorgeous olive green colour and they really sparkled. Lucy’s eyes are lovely too but it’s hard to ignore that cleavage for long. In all the excitement her breasts seem to have swelled even more than usual.
‘I do like eyes’ I say, finally, quietly, ‘and hair. I love long hair.’ She appraises me suspiciously, ‘and she wouldn’t need to have big breasts, necessarily, just... nice breasts.’
‘What about no breasts?’
I think about that. ‘Not really.’
‘So you would dismiss a woman completely on the grounds of being flat-chested, no matter what else she may have to offer?’
Actually I think I might. It’s a bit too masculine or something. It’s just sort of weird.

‘I don’t think it’s like that really’ I say after a while.
‘What isn’t?’
‘Attraction. It’s not just about physical stuff. It’s the whole look of her. I don’t know – it’s like the way she dresses or the way she moves. Subtle things. Like the expression on her face...’ I go off into a bit of a dream, thinking how that feels, to see a woman like that.
‘You’re still just working out how to get into her knickers Gabriel’ says Lucy, laughing sarcastically.
I study her face as she shakes her head and goes back to her book. My feelings for her shift slightly. Sometimes she’s not very attractive at all.
‘So why bother to ask me at all if you’re not going to believe me?’
She turns her head and looks hard at me. ‘I thought you’d at least be honest about it’ she says.
‘I am being honest’ I say. She goes back to her book, still smiling slightly. Why is she being like this? What can I say to convince her?
‘We could be friends’ I suggest hopefully. ‘I wouldn’t just dismiss her completely. I just might not want to have sex with her.’
‘I don’t think men and women can be “just friends”‘ she says, which seems a bit sad. ‘There’s always something else.’
‘But if he doesn’t fancy her at all...’
‘Still. There’s always something, sooner or later. Trust me.’ and she looks a little sad. I didn’t really fully realise until much later that she was talking about herself, about her life, about how men had looked at her – her and her breasts and how they’d never really wanted to be “just friends” with her. No, I didn’t realise this until I was at the retreat, but I got my first inkling of it at this moment. She wore her breasts like that, as a challenge – gawp if you dare, fantasise at your peril.
‘I just like looking at breasts. I don’t know why’ I said finally, not looking at her. ‘I mean, why do people like looking at flowers? It doesn't have to be logical.’

Anyway she seems to like my work – I showed her some of my pictures and she seemed really interested. I want to do one of her soon. She said she’ll pose nude for me... I think she said that. Probably she was having me on. Anyway, a few days ago we were all sitting around talking about what we’d do different next time – it’s a common subject with us. Nobody else I’ve met seems to want to talk much about their past life or their next, just stay in the present, but Damian especially can’t shut up about it. He’s got this idea about getting a punk band together by 1974 so he can “be there” when it starts. He wants to call them The Sex Objects. We all think that’s very funny, all except Lucy that is.
He’s a good musician too. He does these really funny rip-offs of old Sabbath and Zeppelin numbers on his guitar, like using the sound but faster and furious-er. It’s ridiculous and really cool at the same time. I asked him if he could do Purple Haze but nobody messes with Hendrix apparently. I think he was impressed by the fact that I knew about Hendrix at all.
Anyhow, I was saying that next time, I would try to lose my virginity a bit sooner, and Lucy just looked coldly at me. Damian said he’d want to fuck a lot more women next time. Lucy said to me ‘What else?’
‘Go to more parties, and gigs’ I said, doubtfully.
‘But you’ll still be the same person’ she said, as if that was a real problem.
‘Yeah, you gotta handle it different next time man’ said Marcus, another guy who was hanging out with us. ‘I mean, you can’t just be your same wimpy self all over again, you know what I mean? Women want you to stand up, make a move for yourself man, not all this hiding in the back.’
‘You’d think some girls would go for such a quiet, sensitive chap as yourself, wouldn’t you Gabriel?’ says Lucy looking at me. I don’t know if she means it but I love the way she says my name, curving her lips around the ‘B’.
‘Nah, that’s crap’ says Damian ‘except for your “Mad Bitch” of course. They’re always on the lookout for the confused and vulnerable.’
‘Damian, you’re a disgrace’ says Lucy sexily.
‘Well if all else fails, your mad bitch’s a distinct possibility. She’s a bit desperate, grateful for whatever’s going, willing to do the leg work...’ Everyone laughs. ‘I mean, she’s the one’ll get off her arse and come to grab you – none of this you plucking up the courage shit – she’ll nag you onto the dance floor and bingo, you’ve scored.’
‘Plus you’ll be up all night with her. She really goes, your average mad bitch...’
‘On the other hand she’ll literally have your nuts nailed to the bed if you try to make a run for it.’
‘Literally?’ says Lucy.
‘Literally. These are not my original pair. These are in fact made of pure new wool. My mum knitted them for me.’
‘I’ll take your word for it’ she says, pouting at him. I sometimes think something’s going on between them. I don’t know. Sometimes, she looks at me, I feel so amazingly light and free. Other times, I just want to drop into the ocean and sink.
‘You should learn to play guitar – be in a band. That’s always a good one’ says Matt. Damian looks doubtful.
‘I might get a car next time’ I say, although I can’t imagine how. I’d have to fork out for lessons first.
‘Nah.’ says Matt. ‘More trouble than they’re worth. You just end up giving everyone else a lift everywhere, so you end up not drinking...’
‘You could smoke.’
‘You could, if you’re a wanker.’ Everyone looks a bit awkward, recalling too late that Matt was killed by an intoxicated driver.
‘Just saying...’
‘I don’t think it’s about what you have’ says Lucy finally. ‘If you want to know the one thing that a woman wants? – every time? – it’s a man who knows who he is and feels good about it.’
‘That’s cobblers’ says Damian ‘I fucking hated myself half the time – and I got plenty.’
‘Yeah, but your self-loathing was kind of like an art form – you really went for it – you did believe in yourself in a way’ observes Matt.
‘I believed in being bad news’ says Damian, nodding deeply.
‘You did. And a woman appreciates that in a man’ says Matt.
‘Some women’ says Lucy
‘Younger women’ says Damian, gleefully.
‘Masochistic women’ says Lucy.
‘Exactly’ agrees Damian ‘Same difference...’
‘Gabe’s not mean enough’ observes Marcus. ‘He’s one of the good guys.’
‘I’ll bet he’s not’ says Lucy, turning to face me. ‘I bet he could be a right bastard if he wanted to, if he had the motivation. If he had the nerve...’
I don’t know what it is – sometimes the way she looks at me. What is she thinking? Sometimes I feel like I’m nothing to her. Sometimes I feel like she wants me – both at the same time.
I look at her. The conversation among them heads elsewhere but I saw her wink at me, I swear.
Sitting beside me I can see her shoulder exposed, soft and milky where her top has slipped, then a smooth curve between her armpit and the start of her breast. The fabric hangs away from them and I can see where the curve goes down, concave to convex. I look up, as if surfacing from a deep dive and register the faces – did anyone see me looking? I can’t tell.
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Voyage IX – Art appreciation

For some obscure reason The Rat Pack, as they have become generally known, are still keen to have me at their table. I feel more confident about politely declining but they insist. They don’t make me play cards, and they let me drink coffee if I want to now, but they won’t let me go. I don’t know why. Liz ignores me.
‘Can I get you anything from the bar?’ says Ray, unctuously. I don’t want yet another coffee. Actually I’d really like a beer. I say so, quietly (why am I embarrassed?) They look at each other knowingly. All I know is I feel tense the whole time. Eventually they get on with whatever game they’re playing and I can excuse myself.
I breathe deeply up on deck. The sky is definitely bluer now, and the birds are serener, blown about like kites on the buffeting wind, long forked tails streaming behind them, ducking and diving among the waves. I settle down with a book on my lap and watch for hours. The air is still very chill but I’m cosy in my sleeping bag and I look drowsily out into the distance. The lack of a horizon no longer bothers me much. Sometimes another ship like ours can be seen in the distance. I have a sense of some huge migration through the eons, across the universe, all moving in parallel towards... towards what?

‘So’ says Ray, once we’re all settled in for the evening again, ‘what sort of art do you do?’ Every time they mention it the word art seems to be italicised.
‘I don’t know. Landscapes, portraits, you know. Oils, pastels, charcoal.’
‘Have you got anything with you?’ says Solly, perhaps a little too eagerly.
‘Course he hasn’t’ says Brenda, laughing at him.
‘I have actually. I’ve been doing a lot lately. Hang on...’ and I dash off down to my cabin to fetch some pieces.
I get back and they’re all still sitting there waiting. I open the folder and let them to clear a space before I lay my pile of papers on the table. Solly immediately starts looking through them but Ray and Brenda pick up the top one, a big piece I did early on – a view of the deck with all the travellers there, rugged up on their deck chairs. There’s an empty, rather bleak expanse of sea and sky beyond, almost but not quite indistinguishable in the same chalky grey. I’d exaggerated the perspective a little, changed the angle of the deck and made the figures lean out of the frame at you. They look a little like mummies wrapped up there with just their faces showing, or patients on their way to the operating theatre, or the morgue. Some of them look out of the picture at you but there’s no expressions on their faces.
Harry says ‘Let’s have a butchers then’ and takes it from them, not very carefully. He and Liz look at it together.
‘What’s it supposed to be then?’ says Harry, handing it back to me.
‘Well, it’s the view up on deck...’
‘I can see that’ he says impatiently. ‘Why’s it all, I don’t know, skew-wiff? It’s all at the wrong angle. Here let me show you’ and he picks up a pen and a spare piece of paper and starts to explain about perspective (incorrectly as it happens). I’m furious. Why can’t they let me have this one thing? Why do they have to make out they know more than me about everything? They could have asked me what I was trying to achieve with the distortion, maybe learned something, but no.
After a minute or so trying to get all the lines to meet at the horizon he screws up the paper and I say as politely as I can ‘I do know about all that.’
‘Well why don’t you do it then? Look there’s no point doing it wrong if you know how to do it right, just to be different.’
‘Well...’ I look around at the others. They don’t seem so appalled at my modernism so I decide to try to explain. It’s disconcerting. They don’t usually listen to me much at all.
‘I chose to distort the perspective deliberately, to emphasise the weird atmosphere. I wanted to show that we were all alone out here and we didn’t know where we were going and we didn’t know what to think about it.’
‘So, why didn’t you just paint that, realistically?’ says Brenda.
‘Well...’ I try to think how to explain without riling them even more. ‘You can go and look at the “real” version any time you like. I wanted to say something else about it, to remember what it actually felt like.’
‘These birds look more like vultures...’ says Liz.
Harry looks at it a bit more, clearly a little disturbed. Pictures here have a sort of a life about them. It’s not just that the eyes follow you; the heads seem to swivel round to watch you too. I painted the thing and I still find it unnerving.
‘Oh for God’s sake put it away’ says Harry after a while, almost throwing it at me. ‘Why can’t you paint something nice?’
‘What, like kittens and flowers?’ I say.
‘Are you taking the piss?’
‘Oh leave him alone Harry’ says Brenda.
‘Well nobody’s going to want that on their wall are they?’
‘This is that punky bloke isn’t it?’ says Solly, looking at another one.
‘Yes. Damian’ I say.
‘It’s a good likeness’ says Brenda. ‘Has he seen it?’
‘He sat for me.’ Solly raises his eyebrows approvingly. Brenda shows it to Harry who looks away with disgust on his face.
‘These are quite good’ says Solly. ‘Lot of potential...’ as if he knows about such things.
‘Thank you’ I say.
‘Very... impressionistic’ he says, smiling at me as if he expects me to be impressed with his knowledge.
‘It’s more post-impressionist really’ I say ‘or maybe a bit expressionist. Have you heard of Kirchner?’
I see his enthusiasm dampen immediately. I knew I shouldn’t have corrected him as soon as I said it. I pick up my pictures and take them back to my cabin and the game resumes.
Why do I even try?
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