Monday, 10 September 2012

Voyage VIII – Leviathan


Life (but not as we know it) goes on. The weather has definitely improved. The sky is bluish. The waves have become jolly and tuneful, instead of angry and dark. More birds appear each day, and one morning, what I can only describe as sea monsters rise and blow. Everybody comes up on deck to see them. I’m sure they’re not whales. Something about them is lacking. I never saw a real whale, in the flesh, in my life, but even from the telly you can tell just by looking at them there’s some sort of intelligence at work – some sort of awareness in their eyes we relate to. Not with these... These eyes are merely for detecting light, for registering movement, for identifying prey. This experience does not have quite the uplifting effect whale watching has I’d imagine, but it’s certainly awe-inspiring – their disinterested way of cruising past, the sheer numbers of them, and the sheer size. One of them is considerably longer than we are, and looking down through the water I can see a whole mass migration of them, all heading to some distant feeding or breeding ground. It’s like one of those Escher prints with fish ever receding deeper into the darkness. Is it my imagination or is it possible to see further into the water here than it is back in the world? Maybe it’s a trick of perspective. I wonder, since we don’t strictly need to breathe here, if it would be possible to go free diving. Not here obviously. Not with these things about. That would be, well, not suicide obviously, but certainly not very bright. Then I wonder if they breed, or, like us they merely come here when they die and go on, wandering these unlimited oceans for all eternity. Maybe they don’t even feed. I consider chucking them the last of my croissant but would rather not draw attention to myself. Those jaws are easily as long as the boat is high.

Shamim is watching the leviathans go past. I don’t see her parents with her. I don’t know if I’m making some silly assumption about her culture but I feel it would be inappropriate to make any advances, although she is very attractive. On the other hand, the fact that I can’t imagine anything happening between us means I can go over and just start a conversation without anxiety. How maladapted is that? My genes are just doomed.
‘Hey there’ I say, cheerfully.
‘Hey’ she says back, smiling broadly. ‘I thought I’d see you up here. They’re really something aren’t they.’
We lean over and look down at them. A smallish one (but as long as a bus nevertheless) passes underneath. Its body just goes on and on.
‘I was just thinking about going diving’ I say. ‘Not now, obviously, but if we don’t need to breathe...’
‘Maybe when we get to shore’ she says. ‘The water is very clear. Maybe we could get some goggles. It would be wonderful not to have to bother with all that clutter, tanks and weights and so on – just swim as deep as you like – live underwater if you want to.’ She smiles at me again, that enigmatic smile she has.
I don’t want to monopolise her but, to be honest, she’s better company than the others now. After that last argument it’s been weird with Lou and Olly. Ned tries to get things going and we play games, or they do at any rate, and we chat. Keith sometimes joins us but more often he’s with some other people in the games room, playing pool. It’s like that last debate just got out of hand in a way that changed everything. In retrospect I suppose it’s not surprising. This happened at college. Early on I enjoyed taking part in our lively and often somewhat brutal debates, safe in the knowledge that we could hold it together, not take it personally, take the rhetorical derision and polemical contempt in our strides. I thought I was so mature. We thought we were so very well informed... Oh well. I’m more wary now, and, frankly, the opportunity to have my say doesn’t have the same appeal any more. It’s not that I don’t have a view. I just don’t think it’s that important to explain it. Does that make me older and wiser or what? Anyway, these days I avoid religion and politics – how very English is that?
So talking to Shamim now should be a lot easier. I freely admit to knowing nothing about where she comes from and am happy to ask polite questions and listen to her answers. I ask her about her home back in Iran, her family, friends, music, the shops (she loves to talk about shopping – the universal language of womanhood). It turns out she is a trained scuba diver – something I always wanted to try but she puts me off when she talks about all the equipment she had to buy and lug around. We agree that the sea should be enjoyed as close to naked as possible and I have to suppress any trace of non-platonic intent. The way she smiles at me makes this very difficult however. I’m sure she doesn’t know she’s doing it, or the effect it has on me.

Later on, after the leviathans have passed, her parents appear, arm in arm. They’ve been watching from the other side of the boat and Mrs Sadeghi is still breathless with excitement.
‘Did you see that?’ she says over and over. ‘Did you see that?’

Friday, 31 August 2012

Vincent VI – Friends


‘Something is troubling me’ he says, leafing through his papers. ‘You don’t appear to have had any friends, or, at least, you haven’t mentioned any of them to me. Why is that?’
‘I didn’t have any’ I say, with as straight a face as I can manage. He evidently can’t tell I’m joking.
‘I’m sure that can’t be true’ he says. ‘All that time at college, living in Brighton, going out? I’ve heard it’s a very lively place.’
I think about it. Actually it’s true – not a joke – I didn’t have much in the way of friends there. It took me a long time to start talking to the others, and then I lost touch towards the end. I don’t know why.
‘There were a few people I hung out with. It changed as time went on’ I say, non-committally.
‘Why do I always feel, Gabriel...’ he says, ‘Why do I always feel that I am actually only hearing a small fraction of the thoughts you have in response to my questions here? Hmm?’
I look at him. I don’t know what to say. Has he been reading my mind? Maybe they can do that here. He did say something about knowing what questions to ask...
‘Look Gabriel. I do not know what you are hiding – probably nothing very much, but if you will not tell me I will naturally assume something, so... For God’s sake Gabriel, tell me. I’m not here to judge you. Apparently nobody is... Trust me Gabriel, please, or I cannot do my job.’
I look at him. I do trust him, as much as anyone here. It’s just... ‘It’s just, I was such a wanker’ I say.
‘Good’ he says. ‘That sounds honest.’
‘I got accepted at Art College and I really thought I’d made it. I thought I was so cool. I stuck two fingers up at my parents and...’
‘Not literally I hope.’
‘No, not literally, but they knew how I felt. I was sick of all that crap at home and I was on my way as far as I knew. And then I got there, and... well, I don’t know. I hated it.’
‘Why? What was the problem?’
‘Well I had to start all over again. I had to take lectures in drawing and using paint and the history of art and... things that I’d taught myself years before. And then there were the other students and I just thought I was going to have a wild time, going out, clubs and pubs and parties, and having sex and everything, and... It just wasn’t like that. I just felt so – I don’t know – wrong. Like I was this sad old git and a bit of a weirdo. Everybody seemed to be so much younger than me and they were all shagging each other silly, even in fresher’s week.’
‘That was important to you to – to have a lot of sex.’
‘Well, up until then, there’d not been... and I hadn’t had much of a social life, so yes, I wanted the whole student life style, but yes, sex as well. I’m not proud of it but there you are.’
‘Good. That sounds honest too.’
I stop and catch my breath. It all seems like it happened last night. Excruciating. A whole night club full of these bright young things, flirting and laughing and running around, and this still, small, sad space around me.
He frowns and thinks for a while. ‘How was your work coming along at this time?’
‘I thought it was a total waste of time. Apart from compulsory studio sessions and lectures it was exactly what I would have been doing on my own at home. It all seemed totally pointless.’
‘It doesn’t sound as if you lacked confidence in your abilities Gabriel.’
I’m taken aback by what he’s said. People were always on about lack of self-esteem back then. I’d always assumed that’s what I had.
‘I think I always knew, if people could just leave me alone to get on with it I could do something exceptional.’
‘But they wouldn’t.’
‘No. They always had to interfere, make me do things their way.’
‘And you resented that.’
‘Well, later I realised they were just getting everyone up to a level, but at the time I just thought they were treating me like a kid. Plus I should have taken the opportunity to meet people and make friends, but I just went home and worked on my stuff there. Like I say – wanker.’
‘When did all this change?’
‘Actually one of the students came and asked me what the hell I thought I was doing.’
‘And who was that?’
‘Victoria. Victoria Sponge – I don’t think that was her real name. She was another mature student, bit older than me – completely mad Glaswegian. We’d chatted a few times in the refectory. She came over unexpectedly one day and saw my paintings and asked me why I was fucking up. I’m sorry... the f word. It’s just...’
‘It’s ok. It’s the G word I have trouble with. Carry on.’
‘Oh, ok. Where was I?’
‘Fucking up.’
‘Ok. Er...’
‘So she thought your work was good?’
‘She thought it had “potential”. She told me that she’d over-heard that I’d be chucked out if I didn’t get my act together.’
‘Good of her.’
‘I don’t know. I never did find out why she did that.’
‘Perhaps she liked you.’
‘Maybe...’ He doesn’t challenge me on my equivocation this time.
‘Whenabouts was this?’
‘Christmas – that first year. I went along to a party with her and the other mature students and I felt awful. I just despised them all. I’d seen them at lectures – all down the front, being so attentive and studious, taking notes, asking lots of questions...’
‘But you became friends nevertheless.’
‘Not exactly. Vicky was a bit too mad – complete drama queen and control freak. She used to wear her fetish gear around the college at the weekend, which was a bit distressing given how skinny she was. A lot of that group really were very odd – especially some of the older ones – lots of piercings and some other dangerous stuff – event and physical art, whatever that was. You’d catch them mincing about the place dressed entirely in feathers or rubber or whatever, shrieking from the mezzanine, and making “objects” out of discarded fast food. I think there were a lot of personal crises going on there.’ I smile at the memory but Vincent doesn’t react.
‘And what were you wearing at the time?’
‘Black combats. I thought I was an anarchist.’
‘Aha.’ He thinks that’s funny. I only discovered later, having done some reading that actually I really was an anarchist.
‘Honestly, it was a zoo.’
‘But you did find a group of friends eventually.’
‘Yes, I suppose it was that winter. There was this bunch mostly from the workshops – more into things like ceramics and metal work, and embroidery believe it or not. They were a bit more practical and also quite political – and more safety conscious too.’
‘And you fitted in better with those people.’
‘Well my stuff was quite traditional in a way – quite workman-like really. And they hung out with the overseas students too so we got to go to some cool parties, so yes, I liked them. They were a good bunch.’
‘Even so, you seem bored by these questions Gabriel. Friends do not seem very important to you.’
I look about the room and try to remember their names and faces. I hardly bothered to keep in contact with any of them once I was with Mar. It seemed sad at the time but I can’t say I missed any of them very much.
‘I suppose I was used to being alone, and they all moved away after graduation. I sent e-mails but it all just petered out. I never went to see them, and they never came to see me. I suppose that’s how it is.’ I shrug as if none of it really mattered.
‘Be honest Gabriel.’
‘Well, things were not so much fun by the final year. Everything was more intense and there’d been arguments – silly disputes about politics or whatever. Or rivalries about the studio space or who’d slept with who. But that affected everyone, not just me. I don’t know...’ and I shrug once more, try to show I don’t care but I do. By the end of the course I was on the outside again, looking in.

‘I think we were all a bit too close there, for a while. We all went out together, to gigs and down the pub and we had parties and went for walks in the country and it was really good. We were inseparable. I don’t know what happened. I kept wondering if it was something I’d said, but we were all pretty outspoken and Kat was downright nasty on a regular basis. And then there was the night I ended up in bed with Jo and I know she and Mark were pretty close but that sort of thing was happening all the time. Mark got away with much worse behaviour and they just loved him all the more. Jo was more of a friend anyway, and we still were, even after that night. I suppose there was the Irish girl – Colleen, from humanities. She was about as close as anyone to being a real friend but I’d even lost track of her by the end.’
Vincent sits quietly and watches me as I prattle on. Of course he doesn’t know who any of these people are and it doesn’t matter. It’s all in the past isn’t it. The fact is, if I’m honest about it, I know there’d been something about me all along – something not quite right. Either it took them a while to realise or they knew it from the start but tolerated me for as long as they could. I know it sounds paranoid, and a small insistent part of me disputes this theory but I can’t deny it. Who was I kidding? It was the same with Mar. None of it was real. I suppose I’m just not a very likeable person – too self involved, too intense, a bit too spikey someone once told me. So they tolerated me out of what? Charity? Pity? Or perhaps they just didn’t want to make a scene. This is why I shrug. Because after all, I knew it would happen sooner or later. It was just a matter of time. I look up at Vincent. He’s still watching me. I can’t bring myself to try to explain all this. I know he wants to help and I do trust him but even he won’t get it, because being lonely isn’t like the storybooks. It’s not a misty romantic place where the sad lost little boy is found and treasured by kind strangers. No, lonely is an eyesore, as the song says. To be lonely is to have failed to find friends, to fit in, to be the kind of person people like to hang out with.
Anyway, I’m wallowing and Vincent is still waiting for me to say something. I don’t know if I really believe all this stuff about it all being my fault but I know I did something wrong. And it’s not that I can’t imagine what it might have been because I can imagine all too well. The list is endless (Things I Might Have Done to Piss Everyone Off volume 54). I just don’t know, in this case, which it was.
‘I did something to piss them off. I don’t know what it was’ I say at last. The session is nearly over.
He nods seriously. ‘Did you ever ask anyone about it?’ he says after a while.
‘Sometimes.’ I say vaguely. ‘It didn’t help.’
Actually I think it made matters worse – I was not only arrogant and abrasive but needy and insecure too. Brilliant combination.
He nods but says nothing. We pack up for the day.

Friday, 27 July 2012

Journey VII – Sodom City


It’s three more day’s travel to the edge of the city and the first thing that strikes us, even from some distance away, crossing the desert is the grey yellow gas that passes for sky here. Sunlight reaches the ground only weakly, as if from a grease-encrusted fluorescent tube on a low nicotine-stained ceiling. The land around becomes increasingly featureless and devoid of life.
Then there is the stink, which is overwhelming. I’ve been unlucky enough to come across large dead animals that have been lying out in the rain on a hot day and recognise the appalling stench of dead meat. Here it is further mixed with the smell of stale urine and other ordure, and some chemical, solvent vapour I half remember from a warehouse I worked in once for about a week. Soon it becomes apparent where the stink is coming from.
Across a vast puddle of human waste we see dwellings built so close to the edge they are almost falling into the water. Some appear to have already done so and yet there are still people living in them, perched on bits of board or corrugated iron, burnt and rusted, strapped with rags to a wooden frame that is itself rotted and tilted, but which supports a clothes line, a TV, a yellow plastic beer crate for a table. Everything is stained a sickly greyish pink. The only bright colour is from discarded plastic items that lie about or float in the sewage. Thank whoever there are no children here. Our wagon rolls on. Only a hundred yards separate us from them on the other side of the lake. Hundreds of bored eyes watch us go by.
Down in the water, if it can be truly said to still be water, stocky orange crabs and gross, turd-like toads struggle and flop about in the warm excrement. Occasionally, huge eels squirm among them. We watch, fascinated as a toad swallows a crab more than half it’s own size. The crab tears a lump out of the toad’s nose with its claws as it is engulfed.
Looking beyond the first rank of shanty dwellings, a solid mass of similar constructions, some unbelievably on two or even three levels, and all strung with cables, aerials and clothes driers, covers the entire hillside and disappears over the top. The smog cuts out any further view of the city itself, which, we are told by Jeb, lies over the next hill. Its towers apparently would be easily visible on a clear day but they don’t have clear days here.

Finally there’s the noise – sirens, shouts, gunfire and running feet over the corrugated iron flooring somewhere close to the water’s edge. And then behind that the more distant sound of machinery, and of fire, and of traffic. We all sit in stunned silence, willing the mules to move faster. And yet, as I say, we are fascinated.

Quite quickly it comes to seem unreal – more like a film or a computer game. We glance at each other but have to look away. We have nothing in common watching this. There is nothing we can say. At one point the lake narrows and becomes a frothing channel and we get a closer look at the locals who wade half way across and stand, expressionless in the diarrhoea. None of them has an intact body. All of them are missing some part or other, or has some sort of rotting scar or gash. Their clothes likewise hang off them in stained rags, revealing damaged and discoloured bellies and breasts. In the water, bodies lay in various states of decomposition, but then we see one move and we realise they can’t be dead of course. The prospect is too horrible to contemplate and several of us throw up – our breakfasts mingling with the fluid before us, and actually looking relatively wholesome by comparison.

Mercifully we roll on over a mound and leave the view of the shanty behind for a while, although the stench and the noise still reach us. We stop for a while and stand about. We look at each other again now. Mike stands bent with his hands on his knees, like he might vomit again. The girls, as Agnes and Muriel have come to be known, sit silent and motionless in the wagon. I look at Shamim and try to think of something to say to her, but it is Nicky who comes over and throws her arms around me and cries. Shamim looks away. Jeb looks on. He has a job to do, that is what his demeanour tells us, and he’s bloody well going to do it. The Sadeghis come over and hug their daughter. Well that’s right. Nicky is my friend and she doesn’t have anyone else to go to. I hope they understand. She smells of peppermint.
I shuffle around, waiting for Jeb to make a decision. I kick something half buried in the ground and realise it is an old congealed pot of paint, and I wonder what it’s doing here. Then I crouch down and look more closely at the ground and realise it is composed entirely of fragments of trash, and there are bits of wire and polythene bags protruding. We’re standing on some enormous landfill, trodden and bulldozed into a hill. It gives slightly under foot, and exudes a smell of rotten garbage and solvents. We go over to its highest point and from there we can see right across the shanty to the desert beyond, but the city skyline is still obscured. Looking down I can see treacle-like fluids leaching out of the mound we stand on into the lake.
‘Can we go now?’ says Nicky to Jeb as we head back to the wagon.
‘I’m afraid we’ve hardly begun’ he says and gets back up into the driver’s seat. We all reluctantly get in the back and resolutely avoid looking out at the view. I look at Shamim, but she sits with her parents and looks elsewhere. Her father has his arm around her shoulders protectively. I sink down lower among the baggage and let my mind wander but the images of those diseased and tortured individuals on the far bank won’t go. I decide to look at Shamim anyway, whether she likes it or not. She curls up and closes her eyes. Her mother looks like she might be praying. I wonder who to.

We travel on a little further through a barren rocky landscape, like the floor of an immense quarry until darkness falls, and in this case, “falls” seems like a very good description of what happens. It’s as if a heavy grey cloth is pulled over us and it takes us some time to readjust and make out the patterns of lights around us – tiny, weak flickering violet glows from candles and hurricane lamps in the shanties, and then behind them we can make out the floodlights of what appear to be factories or mines casting their glare onto the fumes, and rows of taller lamps for the roads. The sounds of heavy machinery, of tons of steel crashing and grinding seems louder now than it was in the day, as are the yells and the sirens and the guns. As the night wears on I notice more lights further back still – hundreds of lights, high in the air, some static, others flying about. I realise one of the sounds I’ve been hearing all day is helicopters when one swoops low over the shanties, spraying it with bullets.
Mrs Sadeghi is indeed praying when I go over to them. Shamim is leaning against her father, who is lost in thought, or maybe dozing. It’s hard to tell. I kneel in front of her and startle her a little when I place my hand on hers. She smiles and I ask her if she’s alright. She nods.
‘Do you want to come and sit with me for a while’ I ask, not really expecting her to leave her parents at the moment, but she gets up immediately and we go back to where I was, watching the choppers soar about. Her parents immediately coalesce into a single shape.
‘Why do you think anybody would choose to stay here?’ she says sadly once she’s sat down. I look down at her and smile as warmly as I can.
‘Come down here and be with me’ she says, and I sit behind her, much as her father had, with my arms and legs around her protectively and my face over her shoulder. She turns her head and we kiss for the first time. It’s such a small, soft kiss and yet I feel it run through my whole body on tiny silver feet. I nuzzle into her hair and kiss her ear. She smells of cinnamon. We sit like that and watch. The straffing seems to have stopped but now there’s blue flashing lights and sirens down there, and more gunfire.
She turns away from it and kisses me again but this time more passionately.
‘Good place to fall in love’ she says quietly.
All I can do is smile and kiss her some more.

Monday, 16 July 2012

Voyage VII – Life, the Universe and everything

As soon as I arrive I know something’s up.
‘The point is not that we don’t know all there is to know on the subject’ says Lou, lacking his usual composure. ‘I’m perfectly willing to admit that. The problem is that you appear to be claiming that you do know...’
‘So you admit you don’t know it all’ says Olly, equally ruffled.
‘Gladly. But neither do you.’
‘I never claimed I did either.’
‘Gentlemen...’ says Ned. Lou and Olly look away from each other. They are re-grouping, not backing down.
‘Look...’ says Lou, off again.
‘Oh gawd’ says Keith, turning conspicuously to his book but he’s in no position to complain. He loves the fracas.
‘As a scientist it goes with the territory that there are things we don’t know – otherwise there’d be no more research grants, and then where’d we be?’
The attempt at levity falls flat. Olly is still tense. He feels insulted, I can tell, but he’s still trying to be civil while Lou remains pompous and patronising and doesn’t realise how infuriating he is.
‘I’m sorry...’ says Olly at length ‘I simply cannot accept your view of a world, of a universe without a... a mind, a guiding force. I understand – no wait a minute – I understand, really that you are not wilfully denying the existence of a God you secretly know to exist – no let me finish Lou.’ Lou sits back and crosses his arms. ‘I understand that you sincerely hold your views, and no doubt, when the day comes, God will respect you for that and you will not be “damned for all eternity”. I accept what you say on all that, but you have to accept my belief that...’
Lou can’t wait any longer. ‘But where does that “belief” come from?’
‘I don’t know Lou. You tell me’ says Olly wearily leaning back.
‘I don’t claim to know. That’s just the point.’
‘Well if you don’t know, what are we arguing about?’
‘That you do claim to know. It comes from God doesn’t it? Or your soul or whatever it was you said – these insights, these intuitions about the nature of life and the universe and right and wrong?’
‘Or from the bible surely?’ interjects Keith.
‘Absolutely, written by people with similar sources for their insights – revelation, meditation, prayer – yes?’
‘If you say so Lou.’
You said so. You said it yourself Oliver. Your faith came to you in meditation and some “intuitions” you had, and of course from reading your bible. But Oliver, how do you know these “intuitions” came from God? Hmm? You... what? just sat there under a tree and thought about it? ...sat in your room and read a book and that gave you insight into the workings of the universe? Does that not strike you as somewhat presumptuous Oliver?’
‘Steady, Lou.’ Ned puts out a hand to calm Lou who is standing up. Olly is looking very tired and hunched. Keith looks like he could get violent with Lou if he doesn’t shut up soon.
‘No Ned.’ says Lou levelly, ‘I’ve been accused of arrogance by this man because I attempt to understand the universe without recourse to God whilst he reads an old book, or sits and thinks about it and there it is. Hallelujah! He has the truth. How silly of me not to have just sat and thought about it for a while.’
I look at Lou. I’ve never seen him like this. There’s something dark and uncompromising in his eyes.
Olly’s voice is low and almost lost in his scarf. ‘I never said I had the truth. God is a mystery...’
‘But you do know, somehow that God exists, don’t you? ...that He made everything, that He wants us to follow His only son and be forgiven for our sins. You claim to “know” those things don’t you Oliver? And it’s not the same as a reliance on the scientific method before you say anything. I don’t think I ever heard a Christian say “Our redemption by the blood of Christ is a plausible theory, given the weight of evidence, but we may be proved wrong in the long run.” Faith is a totally different matter to science.’ Lou looks around. He’s begun to shout and suddenly realises it. He sits down self-consciously and tries to be calm but cannot contain himself. He leans forward at Olly. Olly looks away. ‘Somehow, for you, sitting and thinking or praying, or reading an old book convinces you that you know all these things. I find that extraordinary, no, unbelievable.’
‘But you claim to know’ says Keith challengingly, ‘all about the big bang and evolution and so on. How do you know? You haven’t seen it happen. Nobody’s ever actually seen it happen, so how can you believe in it?’
Lou takes a moment then turns on Keith ‘How does a car engine work Keith?’
Keith isn’t expecting this. Lou has always been the butt of Keith’s good-natured condescension, Lou and Olly both. He doesn’t expect to be faced down.
‘What? What are we talking about?’
‘Tell me what goes on in a car engine – not the gears and clutch and all that – the cylinders and the pistons. You’ve taken an engine apart Keith. Tell me what happens when the engine runs...’
Keith is obviously suspicious. It is obviously a trap of some sort but he doesn’t want to admit that the trap might catch him so he smiles and gives a medium length description of the cycles of an internal combustion engine. He makes it light and jovial and it gives everyone a chance to relax a little. Olly sits up straight. Keith clearly really does know his stuff and appears to be attempting to bury Lou in detail. Finally Keith comes to a halt and takes a swig from his pint. Lou just says ‘U-hu’ and nods his head slowly. Everyone waits tensely to see what will happen next. I notice suddenly that the dark haired girl from the bar is sitting behind Keith. I’d been so caught up in the debate I hadn’t noticed her arrive.
‘And you’ve seen all this have you?’ says Lou eventually. Keith makes a smirk and looks at him as if he’s very stupid indeed. Ned, however looks as if he knows what’s coming.
‘You’ve seen the combustion, the petrol and the air, in the cylinder, exploding.’
‘What?’ Keith wants more to work with but Lou just looks at him, waiting. ‘Well, not as such, but it’s obvious what’s happening.’
‘Noise, smoke from the exhaust, shaft turning...’
‘Yeah, and petrol ignites in air...’
‘It certainly does...’ agrees Lou ‘but doesn’t it strike you as remarkable that you can run your Beemer on, what? Explosions? In a metal box? Doesn’t that seem unbelievable to you? If you’d been, I don’t know, a mediaeval peasant and someone had put it to you that your cart could be run on explosions do you think you’d have listened to them? It sounds ludicrous doesn’t it? Magic.’
‘But it does happen. We’ve all seen it Lou. Thousands of times, any street you like.’
‘No you haven’t Keith. You’ve never seen that explosion, in that cylinder.’
‘But it makes sense.’
‘Yes it does. Precisely.’
‘But that rather backs up my point’ says Olly, sitting up straight. ‘It’s physically impossible to see the force working but you know it’s there nonetheless. There is no other explanation.’
Lou takes a moment to think. We take this to mean that Olly has scored a point but I can see Lou’s not letting go.
‘Look’ he says, almost forcibly grabbing Olly’s attention and getting all of ours along with it. ‘Given the evidence – yes, we explain the role of the petrol in the engine but no...’ He looks around at the rest of us getting restless. ‘Can you hear me out? I’m nearly done.’ Everybody has clearly had enough now. This’d better be good. ‘You can look up the designs, read the chemistry, do the physics. It’s all there if you want to, in the literature, and it does make sense, yes’ he says turning to Keith. ‘There’s the maths and the logic and you put it all together with the data and there it is – you don’t need to actually see the explosion. It stands to reason, as you said Keith...’
‘But your theory of evolution doesn’t make any sense does it Lou? I...’
‘Oh? And what is your opinion on epigenetic inheritance Keith? Or sympatric versus allopatric speciation?’
‘What? Patrick who?’
‘I’m sorry, I assumed, since you had such a strong opinion on the subject Keith, that you must know something about it. My mistake. Now as I was saying Oliver, what I want to know is where’s your evidence for God? Where’s your reasoning? All you’ve done, both of you, is discover we haven’t explained everything (as if we should have everything sewn up by now, which by the way would be the ultimate arrogance) and have jumped to the conclusion that therefore God must have done it. You argue that your explanation has the merit of simplicity compared to all the “mental gymnastics” I am “forced to resort to”, but yours is no explanation at all. You’re like the father who is asked by his young son what makes the car go. He doesn’t know the answer so he tells his son it’s the Automotive Spirit makes it all happen. All you’ve done is give the problem a name. You have no evidence for His existence, besides his conveniently filling in all the gaps for you, that and your “deep intuitions”. And you call me arrogant, in that condescending, ecclesiastical tone of yours Oliver, like I’m just a silly boy who hasn’t tried hard enough?’ He stands up and looks down at Olly and Keith. He’s surprisingly tall.
‘Finally’ he says, ‘I don’t claim to know for sure what the universe is like. I have some theories, which appear to work, but might just as well be found to be wrong tomorrow. That’s science for you. But do you know what? I survive. I’m not saying it’s easy, but I manage. And I don’t feel the need to believe a fairy story about the meaning of life, the universe and everything just to make myself feel better...’

And with that he leaves – picks up his coat and smartly makes for the door. We all watch him go, all stunned, except the girl who’s looking in her purse for something.
I look at Ned who shrugs. ‘All academic now anyway’ he says ‘I mean, look at it’ and he points generally about at where we are. ‘Who knew?’ he says.
‘Makes you wonder if the God we thought we were praying to was the God who was actually there’ says the girl from behind her makeup mirror, touching up her eyebrows. ‘That’s if there was one there at all.’
‘You’ve only got God’s word for it’ adds Ned, grinning at her.
‘Could have been anyone. Could have been Thor’ she says, grinning back, putting her compact away. Keith looks profoundly troubled. I’m not sure if it’s because his faith is being challenged all over again or because the girl he’s picked up turns out to be quite capable of thinking for herself.
Olly also looks troubled, but it’s not so funny. He’s almost in the recovery position on the seat. He looks like he may lose it completely and suck his thumb at any moment. He looks about and slowly uncurls, hoisting himself up by gripping the back of the bench. Ned looks at him and raises an eyebrow at me. ‘Fancy a drink old mate?’ he says, bending down to look into Olly’s face but his gaze is far away. Suddenly he looks up at Ned. ‘Yes’ he says. ‘A large one please Ned.’
I smile at Olly. He looks really shaken. ‘Do you think I was condescending?’ he says. I’m not sure what to say. In truth I think he can be. We all can.
‘One for you kid?’ says Ned to me.
‘Calvados please’ I say, nodding. We’re all still half stunned with not being sure what just happened here.
‘I have to go and find Lou.’ says Olly hoarsely.
‘He’ll be alright.’ says Keith, but I can tell he really doesn’t really care. He looks at the girl over his shoulder but it is obvious nothing is going to happen between them now. She gets up to go and see if she can find her ‘posse’.
‘No’ says Olly ‘I have to go and find him.’ And he stumbles out, taking his coat with him.
I look at Keith. He shrugs and picks up his glass. ‘Your very good health’ he says dourly.

Saturday, 7 July 2012

Vincent V – Acceptance


I’m quite excited about getting back to my story when my next session with Vincent comes up but the tosser is late. I can’t believe it. I stand outside the door waiting for what seems like half the session. I’m just about to go and get a drink when he appears and opens the door to let me in without a word of explanation or even making eye contact. We go in, we sit down. He arranges his stationery. I sit with my arms crossed and look out the window. The weather has definitely improved although it is still bloody cold out.
‘So’ he says at last ‘Where were we?’
‘Waiting’ is what I want to say, but I say nothing.
‘Ah yes - Art College’ he says, consulting his notes. ‘I want to ask you what made you decide to try again?’
I think about this for a while. I still feel like making him wait but can’t be bothered. It doesn’t seem to be working anyway. He seems oblivious of how I feel.
‘I don’t think I did decide as such, not consciously’ I say. ‘It was always there, in the back of my mind – that I hadn’t gone when everybody else did.’
‘You were a failure.’
‘No.’
‘I mean you felt you were a failure.’
‘I felt...’ What did I feel? ‘I felt left out, mostly. I felt I should have been able to go. I knew I ought to be able to...’
The truth is I always believed, despite everything that happened, that I could be someone remarkable, someone exceptional, and above all, someone desirable. I don’t know where that came from. I think back to how I was back then and it occurs to me that life would have been a lot easier if I’d been able to just accept my lot – get a normal boring job, a normal boring wife and some normal boring kids, but I never could, even if it meant ending up frustrated and alone.
‘And yet you did not go’ he says. ‘We must come back to that. What made you try again?’
‘I don’t know, I think one day I just was looking at all the work I’d done – my room was just stacked high with it, and I’d got a couple of A levels along the way and I just realised one day I could, in theory, apply. I didn’t think I ever would. I just liked the idea that I could if I wanted to.’
‘You took more A levels. Why?’
‘Not for the bits of paper. I was interested in the subjects and then I just thought I might as well take the exams.’
He looks unconvinced but it really had been like that. I really hadn’t been thinking realistically about going back to college. I don’t think I’d have done as well as I did if I had. I don’t work so well under pressure.
‘It doesn’t sound as if you were taking all this very seriously...’
He’s very disgruntled today – even more preoccupied than usual. I know what he’s thinking. He thinks I should have been grateful for the opportunity to study – been less blasé, more committed – got my self a solid routine – a work ethic. But the fact is, I didn’t want to do it at all unless I was enjoying it, and actually, it was easy. I didn’t have to work ridiculously hard because it came fairly naturally. I think that pissed my family off more than anything – like I should change courses and do, I don’t know, chemistry or something, just so I would be seen to be doing the requisite amount of slog. I bet Vincent feels the same way. I tell him I was taking my painting very seriously. I hardly did anything else. By this stage I’d moved out and got myself a place in Hove. It was a draughty, dusty room at the top of a huge old house near the sea front with enormous windows looking out over The Channel. Hardly anybody even knew I was up there. I’d given up on making any new friends, far less finding a girlfriend (all the others at the evening classes had been middle aged ladies) and was rather enjoying being this tragic rejected figure /misunderstood artist in his garret. I’d broken up with Pamela a little while before, after I met a girl called Natalie at a Woodentops concert. Natalie seemed a bit more my type – younger, smaller and altogether less possessive. We had a couple of steamy nights in her room in the halls of residence at Sussex but she lost interest in me after that (I think she still had a boyfriend back home anyway). After that I was celibate for a couple of years. This wasn’t a matter of choice - the Natalie experience gave me fresh hope and I went out more and tried even harder, but it turned out to have been a one-off and soon I was back to my room again, painting and drawing furiously – mostly rather contrived nudes and interiors (I was into Francis Bacon at the time). By the time I moved out there were boards stacked so thickly around the walls of my room that there was only enough room to walk from the door to the bed to the little clearing at the window where my easel was. The carpet was ruined.
Why did I finally move out? It was like everything else – because I suddenly realised I could. I had some regular night shifts at an old folk’s home where they didn’t bother me and I got all my meals, so that was the money side of things taken care of, and really, I had nothing else to stay home for. I burnt most of my work in the back garden the weekend before I left and packed everything that remained into a rucksack and a holdall.

I really loved that place in Hove. It was a real Paris loft – vast windows and bare boards – rough plaster walls that I could draw on or blu-tak things up on. I guess it must have been servant’s quarters and hadn’t had any attention since Edwardian times. There was a little burner for my coffee pot and my pan and a huge saggy old double bed in the corner and a feeble shower on the landing downstairs. I got in some pot plants and put up shelves and arranged my books and other bits and pieces and I had my music of course and made the place smell of sandalwood and linseed. All that was missing was a naked woman posing among the sheets.
Actually, I recall I took great trouble arranging all my ‘found objects’ and pictures and records and books around the place. I had postcards from the Tate, and some, I thought, intriguing second hand books on nature and anatomy and architecture that I thought I might have a use for one day, and some driftwood and stones and rusty metal, and some of my old toys. I had this idea that my room might one day be regularly frequented by all sorts of exciting people. I thought they might, during a lull in the scintillating conversation, peruse my shelves and be struck by what a strange and interesting young man I was. Of course it never happened. What was I thinking?

The other thing was that it was absolutely perishing in winter and I got dad to come over in the Lada with extra bedding and another heater. I remember lying in bed looking out across the roofs and watching the weather change and the seagulls shrieking and squabbling among the chimney pots. I was there for five years almost...
Vincent is waiting for a reply.
‘Sorry. What did you say?’
‘They were impressed with the work you were doing.’
‘Sorry. Who?’
Vincent shakes his head and tidies his papers. ‘I am very sorry Gabriel. I cannot help you if you will not concentrate. I’m not convinced you even want to be helped...’
‘Excuse me – you’re the one who couldn’t even be bothered to turn up on time today.’
He sits silent and still for a while. I hadn’t planned my outburst. Now I don’t know what comes next. ‘There was an emergency...’ he says, quietly and with restraint. And suddenly I can tell by the way he looks at me, by his whole demeanour, that something terrible has happened, that he’s been struggling the whole session and I’ve been a selfish, oblivious moron again. I want to ask what happened but don’t feel I can. I sit and look at him for a while.
Even so, I think, it’s not just today. There’s been a problem all along. I decide to say something.
‘I’m sorry...’ I begin. He nods but he clearly doesn’t think it’s good enough. ‘...but it’s not just today is it? I feel like you’re not that interested, and then...’ I tail off. He’s looking at me expressionlessly. ‘Of course. My problems must be trivial compared to... some of the people you must...’ I’m getting nothing. He’s just looking at me, then at his papers. ‘Look, if you don’t want to do this...’ I say, ‘it really doesn’t matter that much...’ There’s a long silence. It’s very uncomfortable. ‘I’ll leave’ I say, beginning to get up.
‘Stay. I’ll be alright’ he says. ‘Give me a moment.’ I sit on the edge of my chair and wait. He doesn’t take long. ‘Now... where were we?’
I let out a long pent up breath and relax a little. ‘I can’t remember’ I say. ‘Er... Interview – they were quite impressed I think.’
‘Ah yes. They liked your work.’
‘They did.’
‘What was it like?’
‘Um... well, pretty conventional mostly – I took some of my older stuff – collages and stuff, and some mock-ups I’d made for a mural commission.’
‘You were commissioned to make a mural?’ he says brightening up.
‘No...’
‘Oh.’
‘...it was rejected, but I was pleased with what I’d done. It just wasn’t quite what they had in mind I don’t think. Some of the judges liked it. Anyway, I took that along, and some self-portraits, life studies from my classes and views from my window of the sea and the rooftops. I was very into Lucien Freud.’
‘Freud?’
‘Fairly famous English painter. Ziggy’s grandson I believe. He’s still working I think... wherever “still” is, in relation to here.’ Vincent smiles and nods and I feel better immediately.
‘And they accepted you, even though you were... twenty-seven wasn’t it?’
‘As a mature student, yes.’
‘You must have been very pleased.’
‘God yes – oops. Sorry.’
‘No matter. And your parents? They must have been pleased for you?’
‘You’d think so wouldn’t you.’
‘No?’
‘They didn’t really say anything much. I think they were relieved they wouldn’t have to make a contribution to my upkeep since I was over twenty three.’
‘I’m sure that’s not true.’
‘Why?’
‘Why what?’
‘Why are you so sure?’
‘Well, had I been your father... I’d have thought they...’
I look at his discomfort – let him flounder. Somehow I can’t quite imagine him as my father, let alone being proud of me going to Art College.
‘But they are your parents’ he continues, apparently perplexed. ‘I think you underestimate them. They must have said something, surely...’
Still I sit and look. He doesn’t believe me. I think back, hard, trying to remember what my parents did when I told them what I was doing. Nothing. I can’t remember any reaction whatsoever. Justine was very happy I remember but she wasn’t about much at the time. Amelia bought me a beer. I remember that.
‘If it had been my daughter...’ he says, and then pauses. He’s inadvertently revealed something personal here – I can tell he didn’t intend that, but clearly he feels strongly about this and presses on. ‘If my Anna had come home and told me she had a place at college, to do a fine arts degree we’d have had a party for the whole street, the whole family. I wouldn’t have been thinking about money.’
‘But I was twenty seven...’ I say. ‘I knew they saw me as a bit of a waster by then and this was just my latest fool scheme.’
‘But all the more reason to be proud – the prodigal son returns and all that. There should have been rejoicing and welcoming. You had been in the wilderness, but you came good and you would be a credit to your family.’
I look at him. He is suddenly animated – excited for me. I’ve never seen him like this. I try to imagine my family like this. It’s impossible.
‘I think they just saw it as another opportunity I’d probably waste – like all the other jobs – get fired or forced to leave...’
‘But they were not for you, this landscape gardening, this nursing auxiliary’ he says, as if he’s been served up some scummy grey hairs, pulled out of a plughole, in a sandwich. I am amused at the contempt in his face. ‘These were not the careers for you. Surely they could see that? They saw your bedroom full of paintings.’
‘They complained about the carpet...’
‘So take the carpet up’ he says.
‘I think they thought I’d never get a proper job with...’
‘But did they know that? No. Did they try to find out? What did they know? You must have been furious with them.’
‘No. Not really. I suspected they might be right to be honest. There aren’t many painters out there making money.’
‘But that isn’t the point. You get your degree, doing what you love – maybe you are never a famous artist, but it is a degree – you can teach, or work in the media. The media are crying out for good illustrators. Or you can work in the arts as a restorer, a curator, a librarian, and all the while, in the background, you work on your paintings, and maybe one day... Oh come now Gabriel. You know this is not about having a job. Surely they could see this?’
He’s furious. And he’s right to be furious. I should have been furious. I can see that now, but I, even, didn’t understand, not at the time. At the time I was just doing the one thing I was good at, and these people at the college were going to pay me to do it for three years. I wasn’t really thinking much further than that at the time. It was only later on I began to understand what I was capable of.
‘It wasn’t really like that. I don’t think even I really took it seriously, back then, as a real career. I didn’t know anyone who made a living at anything except ordinary jobs – factories, labouring, domestic, secretarial. I don’t think it seemed very real. You have to remember we were all very working class, and my parents were about sixty or so by then. It was a completely different world they grew up in.’
‘They still should have been proud, or they should at least have been hopeful. It is unforgivable, this, pessimism, this narrow mindedness.’ And he is suddenly so angry. It’s shocking. ‘I was up on deck earlier’ he says.‘I shouldn’t be telling you this. There was a young woman, one of my... clients, threw herself overboard, because she had no hope in life, because she didn’t believe she could be different, because her family told her she was good for nothing. That is why she felt that way, and now she is lost, for all eternity. That is why I was late by the way. You assumed I couldn’t be bothered with you...’
I am such a wanker I think. I don’t know what to say. ‘I am so sorry’ I say, eventually, ‘but you could have told me.’
‘Yes, I wasn’t thinking’ he says quietly. ‘I am sorry too.’
‘Don’t apologise.’ And now I feel sorry for my self-centredness.
‘Well let this be a lesson to you’ he says, with mock sternness. He smiles and presses my knee. ‘We have to learn to have faith, don’t we, even without God. We have to learn to trust in each other, and hope for the best. Do not make your parents’ mistake Gabriel. The world is as good as we choose to make it.’

Friday, 22 June 2012

Journey VI – The Calm Before



So our merry band begins the long haul up into the desert. We start the climb in fine enough fettle but it’s hard to maintain with the heat and the fact that the travelling has lost its novelty. Probably the happiest person, at least on the face of it, is Nicky, who sits up front and chats to Jeb or walks along with Muriel. I’m not totally convinced but glad to see she seems to be trying. Shamim and I are being careful around each other too. Nicky is friendly to her, but keeps her distance. Shamim’s parents are totally wrapped up in each other and seem, if anything to be growing younger. I ask Jeb about it and he says he’s never heard of people actually getting younger here but who knows.
‘Negative-entropy’ he says cryptically. I look at him with my ‘What you talkin ’bout man?’ face.
‘It’s a theory I have. You want to hear it?’ I nod equivocally.
‘It’s like, in life, things fall apart, tend to disorder.’
‘I know what entropy is.’
‘Of course you do. My apologies. But here it’s not like that. Things change but they’re just as likely to come together, rebuild themselves as collapse. You have to actively set about destroying things. The natural tendency here is for things to go back the way they were. You see what I’m getting at. Time runs in both directions. Causality goes both ways... Well, it’s a theory...’
‘Like newts’ says Mike. We turn and look at him, then at each other. What’s he on about?
‘They lose a leg and it grows back. Or so I understand.’
I can imagine there must be many objections to this theory but let it go.
Anyway, the Sadeghis smile beneficently upon Shamim and I whenever they see us together. The truth is I can’t imagine us together either – not because we don’t get on, but because I feel there’s some taboo there and I’m afraid of offending them. I don’t know if that’s racist or anything. I just don’t know what their rules are and I don’t feel like I can ask. I guess as far as they’re concerned we westerners don’t have any.
Agnes tries to spend time with Muriel but they really are very different and she’s ended up competing with her for Mike’s attention. Mike doesn’t seem to mind but Agnes is not popular. That much is clear. After one minor dust-up over who does what with the packing she came over to me and hissed in my face ‘Not everybody thinks you’re Mr Wonderful you know.’
I hadn’t been aware that anybody thought that of me, so that’s nice.

After some initial awkwardness, Nicky and I begin to relax and enjoy each other’s company. With the sexual tension more or less gone (she seems incapable of speaking in an entirely non-flirtatious manner) we can wander along, with or without Shamim and she’s actually quite entertaining company. She does a wicked impersonation of Agnes and Mike for example. It’s as if all her wit and intelligence is normally packed away because she thinks men won’t like it.
One afternoon when we’re walking off our lunch she says to me ‘You are actually a nice bloke, aren’t you’ as if it defies belief.
‘Well, I don’t know about that’ I murmur ‘but thanks anyway.’
‘My mum always said “All men are bastards and them that aren’t, aren’t worth the bother.” But then she was from Hartlepool. It really is a bit grim up there...’
We walk along a bit further. She says ‘I don’t think I ever fell in love with a nice bloke... sorry. Loads of others... I was thinking about what you said that first time we spoke – do you remember?’
‘Hard to forget.’
She smiles to herself at the memory. I watch her face, which is a good three inches above mine. She is very tall.
‘What were you thinking?’ I prompt.
‘What? Oh, right. I was thinking about men, lying. I always thought men were lying to me, do you know that?’ I shake my head. ‘It was reassuring... I always thought, if a guy came up and spoke to me and he seemed charming and nice, he’d probably turn out to be a creep. But then, if a bloke I was into started talking to me like I was dirt, and getting jealous and violent and so on I’d just think he was probably a good man on the inside and just putting on a front and I could make him change if I just stuck with it long enough. How stupid is that?’
‘Really stupid’ I agree.
‘Thanks.’
We walk along a bit more.
‘And then, on the boat...’ she says.
‘What happened?’
‘Well you know. Except I was lonely and I wanted someone to talk to, and I did what I always do – hung around with a bunch of arrogant bastards and got thoroughly used. And then, when this guy I’m talking to says he’d like to get to know me better, but not like that, because he feels uncomfortable about me being so... because I look so young, and I just thought “Yeah, right. What are you after really?” or I just thought he was probably impotent or something. But he wasn’t lying was he? Because he couldn’t, could he?’
We stop to sit on a rock to let the cart pass us. Nicky fans herself with her hat. Shamim glances at us. Perhaps there is some jealousy there.
‘I was such a bitch’ she says matter-of-factly and shakes her head in disbelief. ‘I was a complete shit-head’ she says, turning to me. I have nothing useful to add.

Another day we’re all relaxing by a cold, clear pond about twenty yards across, set among the rocks near the road. The water is milky blue and fizzes slightly as you move in it. Purple tadpoles wiggle on the edge.
Once we’re pleasantly tired from swimming and diving I see Nicky sitting alone, hunched over, looking at the water and playing with her toes. I haul myself out, collect my things and sit next to her. As I towel myself off I ask her about what she said about being happy at sixteen.
‘Oh that. I was being a bit melodramatic’ she says without looking at me. ‘I was happy sometimes after that too. It really was fun sometimes. I know you don’t believe it, but it was.’ She stops talking for a while and plays with a small round stone, drops it in the water and picks up another. ‘The worst thing was if you didn’t feel like you had any choice. That and if you have totally crap taste in men like I do.’ She stops and looks around, and then laughs a little. ‘We used to do these silly gothic vampire sets with lots of black leather and red lipstick and stuff. It was a real laugh. I dyed my hair red and because I’m really pale? And I had all this fake blood on my tits and everything. I think we were in Blood Vixens, or Blood Bitches or something it was called. I can’t remember. I quite enjoyed that stuff. The more mainstream hardcore wasn’t so funny. Sometimes it was quite scary, but, like I say, checkouts, filing...’
I see the flaw in her argument ‘But those weren’t the only options were they?’
‘How do you mean?’
‘Well, hardcore or superstore. You could have done something else.’
‘Such as?’ She says it like it’s really not occurred to her before.
‘I don’t know, anything. You could have been a lorry driver, or a paramedic, or a florist. I don’t know...’ She looks unconvinced. ‘What did you want to do? What were you good at, apart from the obvious I mean?’
‘Nothing much really’ she says, a little hopelessly. Then she slips in and swims lazily out to the middle and submerges. It must be strange to do that, having drowned, now to sink, and take in lung-fulls of water and still swim about, undead. Unfortunately the water is so cloudy there’s nothing to see down there, but it’s an interesting experience anyway. I note Jeb doesn’t go in.
When she surfaces Mike calls her over and says something that makes her laugh and she splashes him playfully. I look over at Shamim and think I really need to go over and be with her soon. I put on a face that hopefully lets her know I’m having a terrible time but she’s not fooled for a minute. She throws a rock that lands immediately in front of me and drenches all my belongings. I’ll get her back later.
Nicky reappears soon and sits down where she was, dripping copiously. She reaches for her towel and finds it soaked and I point at Shamim who pretends to look innocent. Nicky sticks her tongue out at her as she wrings it out and uses it to rub her head. I look away to avoid having to stare at her breasts jiggling. Shamim is laughing at me. She points at the space next to her and I hold up five fingers.
‘You know what I really wanted to do’ says Nicky eventually, ‘when I was at school?’
‘Go on.’
‘Don’t laugh, I really wanted to travel – not just as a tourist, I wanted to live abroad, in Asia, and see what it’s like to work there and everything, maybe teach English. I was quite good at languages at school.’
‘Which ones did you do?’
‘Well we did French and Spanish originally, but I did my A levels in Mandarin and Urdu. It seemed more useful... at the time. Actually dad paid for me to do them. God I miss him. I’d love to have done Farsi too’ she says, glancing over at our family of Iranians.
I look at her, stunned. I look over at Shamim with the same expression. She wants to know what’s happened. I gesture that I’ll tell her later.
‘Not just a pretty face’ says Nicky, giving me a silly grin.
‘Certainly not’ I say flirtatiously, deliberately trying to show her that that makes her more desirable, not less. I hope she gets that.
‘So why didn’t you do anything with that?’ I ask. ‘I’d have thought you could have done anything...’
She looks down defensively. ‘I don’t know’ she says. ‘It wouldn’t have been fair on mum I suppose. She didn’t think I was being very realistic.’
I don’t know what to say. It all seems very familiar. ‘What was your dad like?’
She shrugs. ‘He was ok. I never worked out if mum thought he was a bastard or not worth the bother, but he was ok with me. Then someone saw the photos on the internet and told my mum and that was it. I didn’t care – I was still enjoying myself at that time, but she wouldn’t speak to me for ages. Then later she told me she reckoned I should carry on because it was all I was good for.’
I flinch. ‘What happened then?’
‘She’s waiting for you’ she says, nodding at Shamim.
‘I know. What happened?’
‘Moved out, went to London, usual thing, various bastard boyfriends. I don’t know... I thought it would be different’ and she begins to weep quietly into her hands. I pass her the soggy towel. The others are watching us but I put my arms around her anyway and lean my head on hers. She just feels so big and fleshy, like a huge overgrown child. I can see Jeb and Muriel approaching, offering help.
‘How did you end up in the Thames?’ I ask quietly into her ear.
‘Bastard dumped me...’ she says, beginning to sob ‘said I wasn’t even that good in bed’ and she starts to really cry loudly and I hold her tight and begin to cry a little myself. It’s all so horrible. Poor kid.
Muriel and Jeb stand around not knowing what to do. I try to smile reassuringly at them, that she’ll be ok, that she needs to get it out of her system, but I’m really not so sure.
That night I tell Shamim what she told me, although I leave out the pornography. I simply say that she had trouble with men. Shamim shakes her head and I half expect her to say something about “The West” and our decadence but she doesn’t. She just sits behind me with her arms and legs around me with her head lying between my shoulders. It seems to be her family’s way of showing affection.
‘You don’t comfort me like that’ she says into my ear.
‘Well, to be honest, you don’t seem like you need a lot of comforting.’
‘I do’ she says, leaning back. ‘I have a loving family, and I had a good career beginning and a beautiful place to live. It was awful I tell you. Comfort me.’
How can I refuse? We swap places.

Over the weeks the climate becomes much less oppressive. If anything it’s hotter but nowhere near as humid. Everyone begins to feel better, and we walk more and the singing starts up again, this time including some “typical Iranian popular songs” which actually sound suspiciously like Arabic versions of western pop songs, but never mind. Shamim tells me her mother never had very good taste in music.
The vegetation too opens up and a lot of stunted spikey trees dot the landscape, and we can stroll along, especially early and late in the day, parallel to, but some distance away from the road, enjoying our liberty. Shamim tells me this reminds her a little of Socotra. She tells me all about her year at college studying environmental science, and the field trip they did.
Looking around I find plants here that just don’t make any sense – for instance a hideous swollen green blob about eighteen inches across, glossy in parts, scabby and peeling in others, perched up among the rocks like some mutant gout vegetable with spikey green stems sticking out of it at odd angles. I point it out to her, convinced it must be some freakish speciality of this place but she tells me that if I went to Arabia or Africa I’d see similar things. Astonishing really. I want to draw it but I have no pencils with me. Another day the landscape seems to be nothing but a mass of boulders, some as big as houses, jumbled together with our narrow road threading between them. Thorn trees and vines and massive columnar cacti sprout between them. In another place the landscape is a dreary waste of rolling hills made out of grey gravel, with colonies of short stumpy cacti, standing randomly about, leaning at odd angles or fallen over, like a colony of chain-mailed heads, severed and left lying about. The sky is overcast because of a nearby volcano. Further on, a featureless plain of red sand is decorated with evenly spaced tussocks of spiny grass, all apparently lifeless. Flat bodied, stumpy-legged lizards scoot about on their bellies among them. Shamim tells me there are indeed landscapes just like this in life, although she has only seen pictures, and I vow to get out more next time around.
I’m also surprised to learn that the tedious little plants my dad loved so much – his precious Dionysias, come from her home country, and are endangered there. She tells how, up in the mountains, in the middle of the desert, you’ll come to a cliff face and there they are, clinging there, like little green pan scourers. Apparently she had to learn to identify them as an exercise in surveying and statistics. I’m very impressed. Then she asks me again about my life and I begin to tell her, starting almost at the end, with art-college, and then telling her about the work I did before that. I avoid the rest. I can’t imagine how she’d react. I want to trust her with it, but I don’t know if I can. There’s something so calm and easy about her – I can’t imagine her being vindictive in any way. But then just occasionally I’ll catch a glance, or a movement, and for a horrible moment she looks like my wife. It’s so fleeting. I look at her properly and she’s really nothing like her, but then... I don’t know...
As the conversation tails off, and it’s beginning to feel like evening we find ourselves out of sight of the wagon and she looks at me like she is expecting something. I don’t know if it’s a word or a kiss, and I want to kiss her, and I believe I could even tell her I love her but I hesitate and the wagon appears from behind a bush and I go to greet it, a little disappointed in myself. She follows, frowning briefly, but then goes back to her normal, easy demeanour.

Once supper is over I want to talk to Jeb about something but he stands up and rattles a tin mug with a spoon to get our attention.
‘I have to tell you guys that our modus operandi is going to have to change somewhat, probably as of tomorrow.’
We are all ears. Perhaps it only occurs to us now how cosy we’ve become, because we all look pissed off at the idea that things might be different from now on, even Agnes. We all wait to see what’s coming. He stands before us, feet planted, arms folded. I can’t help thinking he looks like he’s taking us into battle.
‘The afterlife, for want of a better term, as I’m sure you have been told, is not always a nice friendly place. It’s made up of a good many different types of regions, some nice... some not so nice. You might imagine that after they die people would be mostly interested in just getting along in peace and harmony, doing a little gardening perhaps, cooking, making love...’ (he almost imperceptibly glances in our direction) ‘but this is not the case. There’s all sorts here, and some places people are drawn to have an entirely different raison d’etre.’ He moves over to the other side of the campfire, stands among us and points up at the ridge ahead.
‘You see that?’ he says, and we all look and can’t make out what he’s pointing at.
‘Look again. Let your eyes become accustomed. What do you see?’
We look and look and slowly it becomes apparent that something is indeed different, not the ridge itself but the sky above it.
‘The sky is orange’ says Nicky.
‘It is. You know why?’
‘Streetlights?’ says Mike, trying for a little humour. We laugh a little.
‘Streetlights’ says Jeb. ‘That’s exactly what it is.’
We stop laughing. Streetlights? Out here?
‘And the city that is producing that glare is at least twenty miles away, and you won’t see the actual buildings over the next ridge. It’s two ridges away.’
‘That’s a lot of street lights’ I say.
‘It is’ he says. ‘It’s a big city.’
‘So, can’t we just go around it?’ asks Muriel.
‘Do we want to?’ says Agnes. ‘I personally could do with a long hot bath at a nice hotel.’
‘We have to at least go through the outer districts’ continues Jeb, ignoring her ‘or go over the mountains... Are any of you able to ski?’ he says. Nicky and Shamim both hesitantly raise their hands.
‘I thought not. Well, in my opinion (and I’ve tried both) this is the better option. But, and this is the point, we must stay together. Personally I wouldn’t set foot in that place if I thought we had the choice, for reasons I may elaborate on as we go.’
‘What? Is it like Sin City?’ asks Nicky grinning eagerly, joking I hope.
‘Young lady, I was brought up in Baltimore, USA and I know about sin and cities and I’ve even been partial to a little sin in life. But I’d still stay out of this place, given the choice.’
We all look at each other – excited, confused, scared? Unable to sleep, that’s for sure. We sit around the fire a lot longer than usual wondering what could be waiting for us.

My question for Jeb seems a little trivial now, but it nevertheless comes up in conversation. I’m sitting there with him and Mike, talking about our lives. It’s a wistful, nostalgic moment, like going over reminiscences before battle, like we might not have the opportunity again. I mention this, jokily and notice that Jeb does not disabuse me of it. My marriage comes up and we all have a laugh again at the whole stupid clown car image, and then Mike says ‘Well, at least you’ll know who to avoid next time’ but I don’t feel optimistic. I feel maudlin and home sick and, ok, we have been drinking but it doesn’t usually affect me this badly. I spill the beans about those last six weeks with Sophie, probably in too much detail really, but who cares, for tomorrow... It all seems such a long time ago now, and a universe away, like a fabulous dream.
‘Did you tell Shamim?’ asks Jeb.
I shake my head. Why should I? ‘We’re just friends’ I say casually, but I’m fooling nobody.
‘And you’re thinking of hooking up with this girl once you get back?’
Our posture has become intense and conspiratorial. Leaning in, we get inquisitive looks from the others. I grin and raise my glass to no one in particular. I catch Shamim’s eye and I smile and wink but she knows something’s up. I note she’s talking to Nicky tonight, and they too seem deep in conspiracy.
‘Gabriel’ says Jeb, hunching lower. ‘What exactly did your guide on the boat say about you getting back with this girl in your next life?’
‘How do you mean?’
‘Did he say it was likely to happen?’
‘Well, no.’
‘What did he say?’
‘I don’t know. He said there was hope I think.’
‘There is hope. Absolutely. Did he say it was likely?’
‘I’m not sure’ I rack my brains ‘He said it was possible.’
‘Probable?’
‘Err...no he said possible. Why?’
‘You have thirty...what, five? ...years before you see her again? ...at best? And everything could be different. You will be different, if you remember anything at all about all this (and you may well not) you will be a different person. You may meet her and not get on. She may not like what you’ve become. She may be troubled by your insistence on getting to know her.’
‘You might push too hard’ says Mike, nodding, taking all this in.
‘Why are you telling me all this’ I say, feeling more and more bereft with every sentence. My relationship with Sophie might not have seemed very real since I got here, but it had been something to believe in, to hang onto, to work towards.
‘It’s what I tell all my travellers – don’t aim at reliving your last life. Let it go. If it happens as you hope, well and good, and I’m here to tell you that is possible. Really. But it isn’t probable. There’s a million things to deal with between now and then, and a zillion things to enjoy. Don’t waste the opportunity’ and he nods at Shamim, who is looking in our direction with concern on her face. Nicky turns to look too but she’s expressionless.

We all sit back. I have to think. Why am I always wittering on about my love life anyway? Nobody talked about this stuff when I was alive, when I actually could have done with some advice. I feel like I should be contemplating higher things here, death and God and purpose and meaning, but instead here I am, as usual, obsessing about women. And then I look around, and I see Shamim’s parents kiss, and Muriel and Mike’s hands touch, and there’s Olly and Lou and whatever was going on between them, and I wonder why I ever thought the afterlife would be about anything else. It’s about friends and lovers, intimacy and passion. Of course it is. What else is there?
I still feel like I’m being unfaithful, but hell, do I expect to live the first thirty-five years of my new life celibate? No way. And Sophie won’t have – she’ll have a daughter. I can’t just spend all that time waiting for her (although I hope so much...) But until that time comes I must live as if I never lived before. And the same goes for my time in this place. I look at Shamim and smile a little and she looks happier. I still need to think about her. There’s still her parents to consider, and I can’t imagine us being free to enter into anything lightly here. At best they will be happy for us to spend time together, maybe kiss and hold hands, but anything else will surely require some larger commitment and I’m not sure I want that. Maybe I would have been better off with a quick meaningless roll in the hay with Nicky. I have the feeling I am approaching the freedom to get very messed up indeed and possibly to cause a lot of hurt. On the other hand...
It’s at just that moment there’s a deep groaning noise in the ground – we feel it rather than hear it. Then there is a muffled boom from up over the ridge.
Jeb looks around at us. ‘Don’t wander off’ he says, and heads for his sleeping bag.

Monday, 11 June 2012

Voyage V – Faith


When I get back there’s a definite atmosphere. Olly is there, but Keith is nowhere to be seen. Lou is reading a book at the next table. On the face of it, things are progressing as usual – there’s games, drinks, food, but there’s also small talk, and that’s all wrong. We don’t do small talk, any of us. The weather is still thrashing about outside. I slump onto one of the upholstered benches against the wall with my arms along the back. I observe. They play backgammon. I half turn to look out of the window behind me but there’s nothing to look at. Rain and waves lash at us and the boat rolls relentlessly. Ned sees me and gives me a smile but without feeling.
‘Any news from the front young sir?’ he says, not expecting anything much, I can tell. I shake my head. Maybe we’re all just bored now.
‘Where’s Keith?’ I say.
‘Gone to the bar I believe’ but I can tell something’s up. He raises his eyebrow meaningfully. Olly is studying the board, pretending not to hear. I get up to go to my cabin to get something to read but Ned misunderstands and asks if I’ll get him a brandy, since I’m going. I nod and am grateful for the excuse to spend more time elsewhere.
On my way I castigate myself once again for not having anyone else to sit with. Other people get chatting, make friends. I’ve tried but it doesn’t seem to work. Surely it ought to be the most natural thing in the world – being sociable. We’re a social animal, or so Lou insists. But it’s the same old story – exactly the same as in life. I’ve tried – sat near these people or that, listened in, tried to look friendly and approachable, contributed. But they just look at me and wonder what I want. Finally I suppose they decide I’m not a threat, just a random weirdo, and go back to what they were saying, but louder, and with extra clique. I mooch off. This is what I don’t want to tell Vince. It’s all just too stupid and degrading. Surely everyone can make friends – everyone except the weirdos and misfits that is, of which I am apparently, numero uno.
Why did I imagine things would be different? When I was alive I got this idea from somewhere that I could be popular, be invited to parties, be attractive to women, have a bunch of friends. Mum and dad were always going on about it – why didn’t I go out more, invite some friends round? Sometimes I think they wished I’d go out and get pissed and maybe even get into a little trouble – just to prove I was normal. Vince probably thinks my ‘dalliance’ with Pamela was just part of a wild, swinging social life, when in fact she was my social life for quite a while there. I look around my cabin. My book is by the bed. I consider staying in to read it here. It’s quite erotic – about a man who’s wish is granted to wake up one morning as a woman, and how he/she makes a new life as lesbian, and how he’s actually much better at being a woman than a man. It makes sense to me, this story. I have no idea what men are about most of the time. Pamela’s friends were always fun, and sometimes they forgot I was male and I heard all sorts of juicy stuff, but ultimately they always knew I was the enemy so I could never be fully included. Maybe having two much older sisters explains something. I went through a phase of borrowing their underwear and... Well that’s enough about that. But I always envied women their closeness, and the fact that they could talk about people, and what they did and thought and got up to. Men, if they can’t discuss sports or cars they get into this rictus of half-suppressed subject matter and just end up getting pissed and then taking the piss out of everything until they piss off home. I wonder why there’s so much piss in what men do. Maybe it’s territorial. I must ask Lou. I look at the book. It’s written by one Rosemary Leech apparently. I’ve never heard of her. I put it under my arm and close the door behind me. I don’t want to be rude, so I’ll go back, but do what Lou is doing – sit with them and my book. Of course, this bunch are different. They do at least tackle some serious issues. Yesterday I discovered what Olly was so upset about. Apparently he was involved in a church campaign to help single mums in a deprived area of Southampton. Single parent families they call it, but of course, it’s always the mums. He’d got into some difficulties with some of the church-goers because they felt he was undermining the Christian message on family values. They managed to take most of his funding away somehow.
Anyway, Keith reckons that what today’s youth is lacking is a proper father figure. Olly was talking about some of the damage he’d seen done by these father figures, and how a lot of families were better off without them. Keith wouldn’t have it and it actually got quite nasty. I’m sure he didn’t mean to. There was a raw nerve involved but I’m not sure whose.
The point is, it was all really personal, I’m sure, what they were talking about – Olly’s working with the young mums and trying to get help for them, and Keith has got something going on about his dad, I’m sure of it, and they’re both right, but they were just talking sociology, not personal experience, and they were just attacking each other. I wish they’d talk but they won’t.
On top of all this, they were both quite religious in life, and now I watch them approach the place in the discussion where their faith would have come in handy and they don’t know what to say.
I found Olly the next day, up on deck, during a lull in the storm, looking out to sea and he just said ‘What’s it all mean?’ and I knew exactly what he meant but I didn’t know what to say.
So I go to the bar, again, and I notice Keith is indeed there, but chatting to a group of young women and apparently getting on rather well. He sees me and calls me over and introduces me. There’s five of them – the kind of girls you might see down at the Top Rank in their chain store outfits, heavily made up and dancing around their hand bags. The girl he seems most interested in is a rather gobby individual with long dark hair who seems to fancy herself as queen of everything. To my right is a pale, freckly, soft-bodied girl with very large breasts nicely displayed in a pale blue top and with a silver pendant resting between them. She watches me intently the whole time. The other three girls I don’t especially remember.
Keith seems somewhat drunk, which is odd – and rather over familiar. Anyway, I stand and smile and he cracks jokes. I watch him. It’s so effortless, the way he does it. He’s talking absolute rubbish and they’re lapping it up, grinning all over their faces. They love him.
‘You were an artist weren’t you Gabe?’ he says, turning to me. I look at him. I hadn’t been listening.
‘Sorry? Er... yes.’
‘What, paintings and stuff?’ says the dark girl, looking up at me from where she is sitting. She has the wide eyes and smile of someone who knows that all men must want her. I find her excitement a bit off-putting, but feel I should make the effort. She’s quite pretty.
‘Yes, and sculpture.’
‘What, like statues and stuff?’ she says.
‘Er, no – installations, found objects... that sort of thing.’ She looks at me vacantly, her brow creasing and her mouth falling open. I know I need to find something interesting to say, something sexy and funny but I can’t think of anything. No one can apparently, except Keith.
‘Maybe you’d like to do some modelling for him love’ says he, cheekily, elbowing me in the ribs and they all dissolve into giggles. I can feel myself turning hot and red. I feel the need to deliver the drinks now. Bloody hell.

I go back and sit with Ned and the others, still wound up inside. Partly I know I didn’t fancy her at all, so why am I still going over it in my mind? I just can’t believe I couldn’t even come up with something to say to a bimbo like her. I mean, I didn’t want her, whatever she may imagine. It would just be nice to think I could, if I had wanted to. And then there’s smug, jack-the-lad Keith, old enough to be her father, and she...
Later on he joins us, looking very pleased with himself indeed. ‘Nice girls’ he says appreciatively as he takes a seat, and I know he wants to talk about them but thinks better of it. Nobody asks. I’m nonchalantly making a drawing of Mar as I sit there at the table, as if it’s the most natural thing in the world. I drew her so many times in life I can do it almost without thinking. I want him to ask who she is. I want to prove that I am a true, red-blooded male, like him, and yet not like him, because I can draw my naked wife, from memory, and she’s a stunning looking woman. I think about the fact that I married a stunning looking woman. She was mad and treated me like shit too, but he doesn’t have to know that. He glances over but doesn’t say anything.
It doesn’t matter. It so doesn’t matter.

A life backwards

It's in the nature of blogs of course that you come across the latest postings first (or you find yourself in the middle.) Normally it doesn't matter but if you want to read my novel in order, the first installment is as you'd expect, the oldest posting.
Thanks for your patience.

Steve